research project

S. Corey Clyne

Digital History

The Normandy Breakout

The D-Day landings in France on June 6th, 1944 provided the allies with several obstacles and had proven costly in human life. Once ashore in France the American soldier faced a larger challenge in the Bocage region in the France countryside. The ancient earthen mounds the French farmers had created around their fields were ready made fortresses for the German Army. The American Army only overcame this challenge by the development of new tactics that were developed by the men at the sharp end on the battle.

Primary Sources

  1. The Challenge of the Bocage.
  1. Spearhead in the West is a unit digitized history of the 3rd U.S. Armored Division published after the war by the unit and provides general background into to the Bocage challenge via first person reports. This will illustrate the issues and methods to overcome the Bocage.
  1.  Ernie Pyle was a journalist who spent time in the Bocage region as an imbedded reporter for the Washington Post. He describes the challenges and the tactics used by the Germans.
  2. New Tactics and innovations.
  • Lone Sentry Photographs, Documents, and Research on World War II. http://www.lonesentry.com/combatlessons/index.html(accessed, October, 2012)
    • This information packet was produced by the army and based on the experience of the Bocage. It will demonstrate the cooperation between infantry and tanks.
  • Lone Sentry Photographs, Documents, and Research on World War II. http://www.lonesentry.com/normandy_lessons/index.html(accessed October 1, 2012)
    • This “Lessons Learned” is a digital copy of one measure of communication the army used to overcome the Bocage. Those information packets give tactical information to the soldiers bust the Bocage.

 

  1. The Breakout! The attack on ST. Lo, Operation Cobra.

 

 

Conclusion

Examining the events in First Army sector before the Operation Cobra breakout illustrates an army in transition. It was an Army made mostly of green soldiers thrust into the hell of combat in the worst possible of environment. Through leadership, innovation and adaptation it overcame the enemy and the environment. The leadership reacted to the crisis, sought-out resolutions from their subordinates that included members of the entire army. The resolutions were implemented with hedgerow cutters, combined arms operations and tactics using the resources at hand and from the available inventory. The army adapted to the changes in the conditions of war and with the capture of St. Lo the Bocage of France was left in the rear view mirror.

 

 

 

Secondary Sources

 

Doubler, Captain Michael D. Closing with the Enemy How GIS Fought the War in            Europe. Lawrence, Kansas: University Press of Kansas, 1994.

  1. Mr. Doubler details combined arms combat developments of WWII and his work will be used to explain how changes came to the army to fight in the Bocage region.

 

Perret, Geoffrey. There’s A War to Be Won, The United States Army IN World War II.        New York, NY: Random House, 1991.

  1. Mr. Perret is a well know historian educated at Yale University. This work is an overview of the American war effort. It details equipment, Tactics and events in the Bocage of France.

 

Reflections

Researching for primary Sources on the internet can be rewarding, disappointing and frustrating. As the world embraces the digital age and it’s limitless information the researcher is deluged with results from his or her search requests. The surplus of information has to be filtered by the researcher and then re-filtered to find the useful information. How to know what is a useful primary source will remain the responsibility of the researcher.

For the class project to build a digital research plan I chose a topic that I was very familiar with. I chose to digitally research the American Breakout from Normandy in World War Two. I conducted a few searches and was pleased with the amount of information that was available. I have been a World War Two hobbits literally all my life and in my search I was offered hobby sites for scale modeling, war gaming and topical blogs or chat groups on my subject. After searching or filtering out these sites I came up with a few promising artifacts.

The primary documents I found that enhanced my research were the after action reports of the 83rd Infantry Division. I found these documents on the 83rds historical association’s site under documents. As digitizing documents becomes easier for the common person to post the historian will be able to access records that have been long forgotten. These documents will need to be scrutinized to guard against forgeries and errors.  This is not new to historians who have had to interrogate their evidence to be considered professional in their methodology as a common task. Government archives will always be the more reliable source however, the process is slow for their collections to be fully digitized. Smaller historical organizations or even collectors are posting documents on the web for consideration and with caution these documents can be beneficial.

The search for primary sources on the web can yield good information but I did find it very limited. Until the larger archives, The U.S. Army Research Center at the Army War College for example becomes fully digitized the researcher will still need to physically visit the archive to complete their research for primary sources. Another negative element of digital research is the need for better filters to find what you are looking for. I went to several of the larger archive sites and ran their search engines and was amazed at what came up. Items that really had no connection to my subject filled the screen.

The search for digital primary sources on the web can yield amazing treasures but should not be considered the end all too historical research. The process will change and develop over time an as more archives become fully digitized. As with any primary document whether digitized or not it will be the Historians responsibility to apply methodology and scrutiny to verify its authenticity and usefulness.

 

 

 

 

 

 

Digital Humanist Interview

Digital Humanist Interview with Lindsey Barnes of the National WWII Museum

By S. Corey Clyne

On the 6th of June 2000, in company of 3 friends, I made the trip from California to New Orleans, Louisiana for the grand opening of what was then called the National D-Day Museum. We attended the celebration as “living historians” or “Reenactors”. We participated in the several of the opening festivities and were allowed a preview of the museum ahead of the general public. During my visit I was impressed with the interface of digital data in the interpretation of the D-Day events. At several points patrons can sit in sound booths and select oral histories from four different witnesses; American, British, German soldiers or a French civilian. These oral history booths tied in with the themes of the exhibits and interactive maps.

Having been so moved by my experience at the D-Day Museum I have made it a point to follow the museum through their growth with the use of social media and the museum’s website. The museum has grown considerably and now is called The National World War II Museum and interprets the entire war. In addition to Facebook and Twitter the website has adapted a blog were different curators post pictures of artifacts and highlight anniversaries of battles, 1940’s cultural keynotes and educational materials. Critical to the digital presence of the museum is it’s Senior Archivist and Digital Project Manager, Lindsey Barnes. I chose her for an interview subject due to my curiosity of how digital humanities are affecting museums.  Mrs. Barnes answered my questions and presented me with a copy of her resume. She is well experienced and is building the museum’s digital presence equal to the memory of the soldiers of World War Two.

 

1.     What academic training do you credit for getting you to this point in your career?

I have a Bachelor’s Degree in Art History and a Graduate Degree in Library and Information Science. I very much feel that my MLIS offered the training I most needed to work in the digital humanities. Through it I learned about access to humanity collections though intensely studying and identifying the importance of metadata for access. The organizational skills and the understanding of access through metadata studies throughout my MLIS have very much helped me to work within different institutions with different types of collections successfully.

 

 

2.     Were there any particular job titles that helped you get to where you are in your career?

I had a graduate assistantship at the State Library of Louisiana scanning and later cataloging for a large IMLS funded grant. The first position was a Scanning Technician, the second a Cataloging Technician. Learning both the technical standards and cataloging and vocabulary standards were very important lessons in my career path. Making sure that I involved myself in as many different types of projects as possible was important to my career as well because I learned many different skill sets, never focusing on only one. That has been very helpful in my career as one always has to evolve and change with the times and the institution’s direction.

 

3.      What other projects have you been involved with?

Digitizing and cataloging of the Louisiana Historical Photographs Collection of the State Library of Louisiana; Cataloging a collection of artists’ books at the Savannah College of Art and Design; creating cataloging standards for our collections database at the National WWII Museum.

 

4.     Do you consider yourself a digital Humanist?

I consider myself a digital humanist because I am shaping the way that the humanities can be accessed online and through research here at the Museum. I don’t usually provide the content but I do make sure it is accessible. For someone like me with an MLIS I feel the best way I can contribute to the digital humanities is by created consistently quality records around our collections and publishing them online to provide people with the most consistent and intuitive access through metadata.

5.  How did the museum decide to feature a blog on its website?

And how do you monitor the traffic?

Since we are just now starting to work on getting our collections online, the blog was the easiest way to feature our artifacts and provide content to our online visitors. The blog is written by staff members across our curatorial, research (oral history), interactive and educational departments.  An Interactive department staff member monitors the blog along with the Museum’s Facebook page.

 

6.     I see that different curators post on the blog, can you tell me how that is decided? Are their dedicated curators just for that blog?

There are no dedicated curators that just provide online content. They all work on blogs while also working on physical exhibits at the Museum, among many other things. Topics are decided by the curators – usually based on their interests and an anniversary date that they can post the day of. The blog posts are mostly based on anniversaries actually but they are not limited to that.

7.     In a progressive museum like yours what skill sets do you find most helpful in your position?

The skill set I find most helpful is being flexible and relying on the knowledge you gain from working on many types of projects. In my previous position of just ‘Archivist’ here at the Museum along with archiving and setting up standards for doing that here, I also co-curated an exhibit, co-authored a book based on that exhibit, wrote grants, supported digitization efforts for existing grants, and even helped to clean weapons! Having at least a little experience in many different aspects of museum work, along with a willingness to try new things and work with different people on different projects has made all the difference in my career.